Vítáme Vás, můžete se vytvořit účet. 5r175r

Cart 1b5x23

product (empty)

Košík je prázdný

' + (data.cname!='Nezařazeno' && data.cname!='Nezařazené' ? '

'+data.cname+'

' : '') + '

'; }, parse: function(data) { var mytab = new Array(); for (var i = 0; i < data.length; i++) mytab[mytab.length] = { data: data[i], value: data[i].pname }; return mytab; }, extraParams: { ajaxSearch: 1, id_lang: 6 } } ) .result(function(event, data, formatted) { $('#search_query_top').val(data.pname); document.location.href = data.product_link; }) }); // ]]>

Termín obdržení zásilky
Česká pošta	Čtvrtek 12.06
PPL	Čtvrtek 12.06
Osobní odběr	Pátek 13.06
Termíny jsou pouze orientační a mohou se lišit podle zvoleného typu platby. O Průběhu zásilky Vás budeme informovat e-mailem.
Při nákupu většího množství produktů negarantujeme dodání do zobrazeného data

Reading Images, Seeing Texts 4b4h4a

3388 Kč

Odesíláme do 3 až 5 dní

Sleva až 70% u třetiny knih

Popis knihy

In recent years, a growing number of biblical scholars have turned to ancient art as a vital resource for understanding the historical and conceptual background of the Bible. While these iconographic approaches have done much to advance findings from more traditional text-based studies, they have yet to fully address issues pertaining to the nature, power, and meaning of ancient art as well as the social practices, effects, and responses that are derived from and inform how images functioned in ancient visual culture. This volume offers a sustained engagement of theories of visual culture with the goal of further refining how images are utilized in biblical research. Issues addressed include: the function of images as a language of communication and its implications for debates about textual literacy in ancient Israel (ch. 2); the nature of the image-text relationship and how it informs methods of iconographic exegesis as well as the analysis of ancient mixed-media artifacts (ch. 3); approaches to visual analysis that take into how linguistic and non-linguistic signs convey meaning in different ways (ch. 4); how theories about the ontology and social agency of art shed new light on the history of visual response in the ancient world, including image theft and destruction (ch. 5); and how a consideration of visual practices and the social and religious dimensions of sight can advance understandings of the nature of Israelite aniconism and the search for Yahweh's cult image (ch. 6). Insights gained from these analyses are synthesized into a hermeneutical framework that outlines a more critical approach to working with images in the field of biblical studies.